Classwork from Experimental Watercolor with Alex Shur

I took 3 classes this year. The first was Experimental Watercolor with Alex Shur. Alex has a very interesting approach to watercolor painting. Whereas most of the time when we’re doing watercolor we decide upon our shapes and our subject, Alex creates backgrounds on quarter-parent sheets of watercolor paper. After they dry, she looks for objects in the backgrounds. It’s a very intuitive way of working. I have to admit that it took a bit for me to be able to get into that mode of searching for shapes in clouds, but once I did, I found quite a few things in the backgrounds. I still have to finish some of them, adding in some details and some white gouache or china white watercolor, but I like where this is going. Some of the images are really small. Others are larger, like 1/8 of the parent sheet of paper. It was a good exercise to get me out of the comfort zone I’ve been in lately with determining my painting subject before starting. I think it will be an exercise I use going forward.

Classwork from The Land of Odds with Katie Kendrick

The second class I took was with Katie Kendrick. Katie is a giving and loving soul. I’ve taken classes with her in the past. I mostly took the class because it was a different subject (not a face-painting class) and I just needed a dose of Katie! We brought to class five or six paintings from an artist who inspires us and used those as jumping off points. For me, it was Chagall’s paintings. In particular, I was drawn to his paintings of couples who appear to be flying or floating. I also like that he has more than one subject in his paintings. He seems to have things that appear unrelated, but are related to each other in the painting. I often paint just one main subject and then go back and finish off the background. So, like Alex’s class, this one was a good stretch for me. It was forcing me to embrace a less-detailed method of painting.

Classwork from The Land of Odds with Katie Kendrick

My third and final class was with the fabulous Judy Wise. Judy has so much expertise to share and there is always something to be learned in her classes. Judy is dynamic and giving as an instructor and a person. Her art has always fascinated me and I have some of her prints up in my studio. She shared with us how to get a multi-layered encaustic (wax) painting while using collage and acrylic painting techniques under the beeswax layer.

Classwork from Captured in Wax with Judy Wise

One distinct thing about Judy’s encaustic work is the black halo that is around the artwork and she was willing to share that technique with us. It was a fun class. I haven’t done collage in a while, so again, this stretched me as I created the main figure for my painting. She is made up of collage elements and paint – a combination to make her all mine. I’m not sure yet if she’s done, but she’s certainly on her way!

After Art Unraveled, Joanne and I went to Sedona for four days. I’ll post about that next!

In Flight - WIP

Last week, I returned to a canvas that I started back in December. It sat for a while. I just really doodled with the color. I wasn’t sure where it was going and I was working completely intuitively. Unfortunately, for all the time it sat there, I cannot find a photo of it before I revisited it. So, you’ll just have to believe me when I say it changed significantly. Like I often do, I worked intuitively, with an idea in mind, but not making myself focus on that. If something else developed then I’d help that to happen. And that is what happened in this case.

What did it turn into? Well, to me, it looks like someone flying over the darkness. It was over a desert at one point. I’m not sure it’s done yet. I think the face needs some detail, but maybe not. I’m planning to let it sit for a few weeks to see what I think when I step away from it for a while.

Como sketch based on a photo from our trip to Italy

And, while I was working through all the photos to create the posts about Italy, I thought it was time to use those photos for my art. I started to sketch from the photos. I created the sketch to the right from one of the photos. It’s done with watercolor and pen and ink. I tried out some new things, since that’s what I do in my journals. It was good practice for what I decided to do next.

Yesterday, I met Dave for lunch at his office. I think I’ve mentioned before that the majority of my art goes into his office or into our home’s decor. In this case, I had visited him and he needed something with more color. This time, he didn’t want medical art, just something with color. I love it when he asks for things like that. It gives me a chance to just do whatever! I immediately came home and pulled out two 10″ x 10″ canvases.

Menaggio alleyway - WIP - first day

I planned to just use my acrylic paints but I had no direction from there. I decided to try something different for me. Using photos as inspiration, I started sketching out an image of a Menaggio alleyway. The way the buildings were all connected and created the streets in Menaggio was charming. So, I started with a rough sketch that ended as you see on the left. I let it sit and moved on to the next canvas.

Verrano Ferry Station - Day 1

I sketched an awning that is the entrance to the Verrano ferry station. I didn’t want it to be literal, but I wanted to start with the idea of it. I created some buildings behind it based upon the different buildings I saw when we were there. It ended like the image to the right last night.

Menaggio alleyway - WIP - second day

So, this morning, I was all excited to get back to work on these canvases. I started with the Mennaggio alleyway and grabbed a black watercolor pencil to create some detail, including the delineation between buildings, adding a door and adding in some windows. I’m not sure about the placement of the door. I might need to push it back further into the painting for balance, but we’ll see. It’s not finished yet, but it’s done for today. I’ll likely pick it up tomorrow again for the third pass.

Verrano Ferry Station - day 2

In between allowing the layers on this to dry, I worked on the Verrano painting. It has changed drastically since yesterday. I lightened the center building, added more depth to the awning and changed some of the colors there. I even added some definition in the trees and balanced out the blue that is on the left with some blue tone in the building on the right. Like the other one, it’s not done yet. I still need to add in some details and it will be going through a third pass, as well.

I’m really enjoying these paintings. I’m trying hard to keep a balance between the inspiration and some abstraction. It’s a change for me from completely abstract or drawing from life – sort of a hybrid, but I’m glad I’m trying it.

More tomorrow!

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Chihuly Exhibit Dec 2008

Yes, it’s been quite a while. Sorry about that. If anyone is still reading, here are a few fun photos from my visit to the Desert Botanical Garden. Angie and I went to the Chihuly installation and were agape at most of the art. It was a lovely morning. Perfect Phoenix winter – in the low 60s!

Chihuly's Beautiful Glass Balls at the Botanical Garden

Chihuly Sun in Boanical Garden

The glass was so incredibly inspiring! I cannot believe how he is able to manipulate such an awesome medium. The colors and shapes have really inspired me and I can’t wait to start drawing in my journal and painting!

Chihuly Blue Glass with Cactus

Blue Glass from Chihuly exhibit December 2008

If you’re planning to be in Phoenix between now and March, do take some time to attend the Chihuly installation. It will be well worth your time!

Chihuly Exhibit with Sun Reflections